Its a way to lose track of their lives."
Gratuitous Japanese: The lyrical content of "Flicker" is entirely based on "私はちょうど何が重要か見つけようとしている。「自分たちの生活のトラックを失う方法です。」" Translation "Im trying to find just whats really important to me. Genre Mashup: While most of his material can be classified as Electro House (specifically the "complextro" sub-genre), he's also incorporated elements of Japanese Pop Music, trance, dubstep, Synth-Pop and chiptune in there as well. 
While there's an official remix album, and apparently a second one in the works, there's also a fanmade remixes compilation called " Our Worlds. It should be noted that Porter never intended the Shelter tour tracks to leak, so they won't be posted here, but they're not that hard to find. There have been leaks of Porter's work computer, complete with studio versions of the actual Shelter audio that Porter and Madeon played, with the actual vocals and not "the Movie"'s recreations. The Shelter Tour now also has Shelter: the Movie. One such example is Worlds: The Movie, that is essentially a fan recreation of the Worlds tour as it actually was, complete with remade versions of the live songs. Fan Remake: A weird example, since it's not a video game, but since Porter has a laissez-faire policy regarding remixes and such, a lot of remixes of Worlds have been appearing on the Internet. Eyeless Face: The visual for the live version of "Fresh Static Snow" features an animal skull with long horns and the eyeless face of a man with antlers. Epic Rocking: "Divinity" and the Chrome Sparks remix of "Goodbye To A World" are both over six minutes, though only barely. When it hits its three-minutes, however, it instead goes the opposite direction with slower, gentler piano chords with minimalist vocals. "Wind Tempos" features a similar composition to "Sea of Voices", spending its first half on a looping piano riff accompanied with various ambient sounds of nature mixed with glitchy manipulation. Then following a short lyrical passage, it explodes with percussion while retaining its ambient flair. The majority of "Sea of Voices" is an ambient passage, spending three of its five minutes building up various synthetic tones and ethereal vocals to paint a gentle, yet expansive sound collage.
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